Musical Truths

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  • 2nd June
    2012
  • 02

Impromptu decision to go hear Cleveland perform the Verdi Requiem by myself. Fuck it all, it will be magical.

  • 1st June
    2012
  • 01

I appreciate that I can search tags when I’m on tumblr on my iPad now. At this point, it’s the small things.

  • 31st May
    2012
  • 31
  • 31st May
    2012
  • 31
  • 31st May
    2012
  • 31
  • 29th May
    2012
  • 29
But this was classical music. And there are a great many “clap here, not there” cloak-and-dagger protocols to abide by. I found myself a bit preoccupied — as I believe are many classical concert goers — by the imposing restrictions of ritual behavior on offer: all the shushing and silence and stony faced non-expression of the audience around me, presumably enraptured, certainly deferential, possibly catatonic; a thousand dead looking eyes, flickering silently in the darkness, as if a star field were about to be swallowed by a black hole. I don’t think classical music was intended to be listened to in this way. And I don’t think it honors the art form for us to maintain such a cadaverous body of rules

Richard Dare: The Awfulness of Classical Music Explained

This article is slightly infuriating. I know I’ve written about concert etiquette before, but this article shines a different (and less favorable..to me at least) perspective.

A big reason I go to classical music concerts is for all of the subtle pomp and circumstance; the concertmaster coming out and the oboe tuning the orchestra, the conductor and/or soloist coming out, the lights going down. All of that excites me before I even hear a note.

Yes, people used to clap in between movements, but I feel like, as someone who has performed concerts where people constantly clapped between movements (ahem…my recital >:|), it’s extremely distracting, and it takes away from the specialness of the music.

And I am by no means “stony faced and dead eyed”, half of the time I’m trying not to cry, or I’m smiling so much that my face hurts after a movement, or I have my eyes closed because I’m so into it (or in the case of watching Dohnanyi, I can’t stop staring at him!). I also take offense to that.

Why should classical music patrons have to change the way they act at concerts to make novices feel more welcomed? I have been to plenty of different classical concerts where in the program there are very understandable rules for concert etiquette.

Elitist statement or not, I like the way things are.

  • 29th May
    2012
  • 29
This book would be really fantastic if it were printed in a more legible way, right now I’m just frustrated because it’s French and I can’t play it…
There are also a few notational errors…or at the very least some really unnecessary accidental placement…
Does anyone else have this book/issue??

This book would be really fantastic if it were printed in a more legible way, right now I’m just frustrated because it’s French and I can’t play it…
There are also a few notational errors…or at the very least some really unnecessary accidental placement…
Does anyone else have this book/issue??

  • 29th May
    2012
  • 29
  • 28th May
    2012
  • 28
  • 28th May
    2012
  • 28

Tomorrow…

I will pick up the Martinu Sonata and  the Bozza trio, get my shit/life together, start breaking in a box of reeds, and do some kind of warm up…MINIMUM. I’ll stop being such a sad panda, because honestly, I don’t have time for it…

THERE!